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República Cromañón nightclub fire
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República Cromañón nightclub fire
Bild von Jorge Lascar
República Cromañón (Spanish for "Cro-Magnon Republic") was a nightclub in Buenos Aires, Argentina.
On 30 December 2004, a fire broke out in the club, killing 194 people and injuring 714 others. The venue was playing host to rock group Callejeros and around 3,000 people were in attendance. The blaze was started when a pyrotechnic flare (a popular device in New Year’s Eve celebrations) was set off and ignited foam in the ceiling. The materials used in the building for decoration were flammable: mostly wood, styrofoam, acoustic panels and a plastic net (a so-called media sombra). This plastic net was hung from the ceiling and caught fire first, melting into a rain of fire. In some parts of the building, teddy bear stuffing was used as a cheap alternative to wool fiber. The owner and the band’s lead singer had told the patrons not to use flares inside the building.
Four of the six doors, some of which were fire exits, were chained shut so that "people would not enter without paying", according to Mayor Aníbal Ibarra. Most of the victims died from inhaling poisonous gases, smoke and carbon monoxide, unlike most accidents of this kind, where most die from crushing or burning.
Following the disaster, an Argentine judge issued a national and international arrest order against Omar Chabán, local businessman and owner of República Cromañón and other nightclubs, including one called Cemento that had been closed by court orders many times before. Chabán was located at one of his houses in the neighbourhood of Montserrat and was arrested. Police are now seeking those responsible for setting off the flare. If they are found (some reports say they have already been identified and that they are children), then they could face eight to twenty years in prison.
President Néstor Kirchner decreed three days of national mourning, and city authorities forbade concerts and closed all nightclubs in Buenos Aires during the mourning period. [Wikipedia.org]
Tantalum Memorial and Man With A Movie Camera: The Global Remake
Bild von FuturePresent | cláudia gabriela marques vieira
transmediale.09: DEEP NORTH
Tantalum Memorial
Harwood, Wright und Yokokoji
uk, 2008
WINNER OF THE TRANSMEDIALE.09 AWARD
Jury Statement:
"Profound and dense, this work will be remade for transmediale after showings in 2008 in San Jose at 0l and in Italy at Manifesta7. It has been nominated for its quality of execution, density of imagination as well as conceptual and metaphorical strengths. It operates on many levels – casting light on the memory of the more than three million people who have died in wars in the Congo over the last ten years—through the use of telephony combined with computation. A rack of electromagnetic Strowger telephony switches is triggered by a computer that tracks calls from the ‘Telephone Trottoire,’ a ‘social telephony’ network designed for an international Congolese diaspora. This project builds on the Congolese practice of ‘radio trottoire’ – passing news and hearsay on street corners by word-of-mouth to avoid state control. Its imaginative breadth and its integration of socio-political objectives were seen by the jury as exceptional. The artists have established a substantial track record in engaging with subjects that impact us globally but are initially manifested locally, and their work is well-deserving of acknowledgement within transmediale 09."
Find out more about Tantalum Memorial at: www.transmediale.de/en/tantalum-memorial
Man With A Movie Camera: The Global Remake
Perry Bard (2008)
The video artist Perry Bard invites people to a collaborative web-based, database-generated montage experiment. Using Dziga Vertovs masterpiece from 1929 as direct inspiration, participants from all over the world can upload footage on the website next to the corresponding scenes from the original film. Uploaded digital media from photo cameras, video recorders and screen-grabs form part of the new interpretation. The lengths and images of submitted videos are synchronised with the original scenes through software, which then rotates the added material every day, ensuring the film may never be the same twice. Bard’s project transports Vertov’s impressions about the Soviet cities in his experimental silent film into the 21st century and becomes, in Vertov’s terms, the “decoding of life as it is.”.
View a clip from the film at: www.transmediale.de/en/man-movie-camera-global-remake-tagr
Join the facebook event for a retrospective of the festival, videos, photos and other relevant material – www.facebook.com/event.php?eid=47750112630
Tantalum Memorial and Man With A Movie Camera: The Global Remake
Bild von FuturePresent | cláudia gabriela marques vieira
transmediale.09: DEEP NORTH
Tantalum Memorial
Harwood, Wright und Yokokoji
uk, 2008
WINNER OF THE TRANSMEDIALE.09 AWARD
Jury Statement:
"Profound and dense, this work will be remade for transmediale after showings in 2008 in San Jose at 0l and in Italy at Manifesta7. It has been nominated for its quality of execution, density of imagination as well as conceptual and metaphorical strengths. It operates on many levels – casting light on the memory of the more than three million people who have died in wars in the Congo over the last ten years—through the use of telephony combined with computation. A rack of electromagnetic Strowger telephony switches is triggered by a computer that tracks calls from the ‘Telephone Trottoire,’ a ‘social telephony’ network designed for an international Congolese diaspora. This project builds on the Congolese practice of ‘radio trottoire’ – passing news and hearsay on street corners by word-of-mouth to avoid state control. Its imaginative breadth and its integration of socio-political objectives were seen by the jury as exceptional. The artists have established a substantial track record in engaging with subjects that impact us globally but are initially manifested locally, and their work is well-deserving of acknowledgement within transmediale 09."
Find out more about Tantalum Memorial at: www.transmediale.de/en/tantalum-memorial
Man With A Movie Camera: The Global Remake
Perry Bard (2008)
The video artist Perry Bard invites people to a collaborative web-based, database-generated montage experiment. Using Dziga Vertovs masterpiece from 1929 as direct inspiration, participants from all over the world can upload footage on the website next to the corresponding scenes from the original film. Uploaded digital media from photo cameras, video recorders and screen-grabs form part of the new interpretation. The lengths and images of submitted videos are synchronised with the original scenes through software, which then rotates the added material every day, ensuring the film may never be the same twice. Bard’s project transports Vertov’s impressions about the Soviet cities in his experimental silent film into the 21st century and becomes, in Vertov’s terms, the “decoding of life as it is.”.
View a clip from the film at: www.transmediale.de/en/man-movie-camera-global-remake-tagr
Join the facebook event for a retrospective of the festival, videos, photos and other relevant material – www.facebook.com/event.php?eid=47750112630
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